Skip to main content

The Music Genome Project

In October of 1990, the Human Genome Project officially began.  Thirteen years later scientists completed mapping the 20,000-25,000 genes found in the human body.  

What was next for mapping?  What else but music! In January of 2000, the Music Genome Project was created by Will Glaser, Jon Kraft, and Tim Westergren.  The project would describe music through 500 attributes and categorize them with an algorithm.  

Each song is analyzed and assigned about 150-500 genes, or musical characteristics.  Analyzing a song takes about a half-hour and is usually done by more than one musician for reliability.  A distance function creates a list of similar songs with similar genes.  Pandora (www.pandora.com) is the name of the company and music player that supports the MGP.  You simply go to the webpage, enter an artist or song title and bam, the piece you were thinking of (usually) pops up.  The excitement is what happens next.  The MGP describes the music you selected and then selects similar music from different artists.  It is sort of like the Amazon.com feature of "If you like this book, you might like..." What is so cool about this is that the MGP will tell you how the songs relate.  We are talking extremely descriptive attributes like melody, harmony, instrumentation, and feel.  

In a nutshell, Pandora and the MGP lets you listen to music passively like on the radio, but gives you the information to be actively engaged in the music if you so choose.  Clearly "The Grout" would benefit to publish its information in accordance to the MGP.  

To share this great information, I have assigned the following to my Music Production I students for their question of the week on the class wiki:

The Music Genome Project: Pandora
Step 1: Read the description of the Music Genome Project (Click Here)
Step 2: Go to www.pandora.com
Step 3: Hit "Create a New Station"
Step 4: Type in an Artist or Song and hit "Create" (A new station will develop and a song will play)
Step 5: Listen to the first song that plays and the two after that
Step 6: Compare and contrast the first song with the latter two (use musical terms)


Comments

Popular posts from this blog

Let’s Create a Composition Revolution in Massachusetts

Young Composers and Improvisers Workshop www.yciw.net Teaching composition is no easy task as the majority of pedagogical resources available lack the understanding of the typical classroom anatomy. Many teachers feel uncomfortable teaching this subject as we were not taught such concepts in our college pedagogy courses and may have never really delved into composition in our own role of music maker.  This really puts us out of our comfort zone, and yet the benefits of a successful composition curriculum can become a catalyst for increased meaningful music making for our students .   A music teacher in New York by the name of Matt McLean set out to debunk the common misconceptions we sometimes envision in classroom music composition.   Matt created the non-profit organization and curriculum called the Young Composers and Improvisers Workshop (YCIW).  He notes that “as a music educator I've seen my students develop their strongest connection to music when...

Lincoln Center-Aesthetic Education Five-Day Training

-Art Making-Questioning-Reflection-Contextual Information- A Week at Lincoln Center ... to perceive, a beholder must create his own experience.  And his creation must include relations comparable to those which the original producer underwent.  They are not the same in any literal sense.  But with the perceiver, as with the artist, there must be an ordering of the elements of the whole that is in form, although not in details, the same as the process of organization the creator of the work consciously experiences.  Without an act of recreation, the object is not perceived as a work of art.  The artist selected, simplified, clarified, abridged and condensed according to his interest.  The beholder must go through these operations according to his point of view and interest.  -John Dewey, Art as Experience This past July I was accepted into a one-week training at the Lincoln Center for Education in New York.  The majority of the what I ...